CT homies Ghost Row finally released their debut project with Cadence Collective, and its everything we had hoped it would be. If you’ve listened to Ghost Row’s music before or read PK’s interview with Chef the Chef you know that Color Plus and Chef aren’t too concerned with sticking to trends and are much more interested in carving out their own path within their genre. 800 Diamonds does just that. The beats switch from aggressive in tracks like “Visitor” to incredibly smooth in “Cranberry Octave” and standout “Golden Delicious” without ever succumbing to following trends or sacrificing chemistry. I’ve known for a while that Ghost Row were an especially talented duo and I think 800 Diamonds is by far the best example of this so far. Stream “Golden Delicious” below and stream and download the tape after the jump.
When I received an open-ended final assignment for my writing class this past semester I pretty much knew what I wanted to do right away. The class was about being a writing tutor and how to teach people how to write so I decided to interview some of my favorite under-appreciated writers and lyricists about their writing process. Although I’m not going to try and make claims about connections between rappers based on their influences, hometowns or styles I hope that the mapping serves as an illustration of just how amazing the world of hip-hop is right now. Hit the jump to read my quick interviews with Chef the Chef, Sidewalk Kal, uhlife, B L A C K K R A Y, Hanz, Chris Villa, NicX, and Tay Devenny.
Sorry, what was that you said, I didn’t quite hear you the first time? Not enough beaties in your life? Pssh, Chef the Chef has got your back. Although we know him mostly from his rapper in the CT duo Ghost Row, Chef the Chef has been improving his beat making craft for a long time now. Although his experiments have usually never left obscurity on his soundcloud page, Chef has decided to collect 24 of them (yup, 24 more beaties for you to munch on) in what I believe is his first solo tape Eunoia. Considering that the tape delivers 24 new tracks and that Chef still is a padawan beat maker, Enoia isn’t going to consistently wow listeners. Instead, Eunoia is definitely a listen for fans of Chef who are interested in the kinds of beats he likes pumping out when he’s not delivering hot fiyah with Color Plus.
Last night Terence and I ventured out to our hipster haven in Brooklyn to meet up with the cool dudes Sidewalk Kal and Ghost Row who both gave amazing performances in an amazingly cramped space. Even though their set hardly lasted over 20 minutes, with Kal only jumping in for a few, they reminded proved there is a lot more to their talent than their lush performances. Kal has some serious gold coming through soon with a mixtape with Mattron dropping later this year. Whether dropping a few quick verses in a dude’s apartment infront of a crowd of sweaty hipsters or confidently striding over a minute of Mattron’s lush production, Kal never disappoints.
Cadence Collective just dropped an awesome sampler compilation, and it happened to feature a track from CT homies Ghost Row. Ghost Row, once again, show incredibly good chemistry with this track. Color Plus puts together an absurdly smooth beat driven by gorgeous guitar strummings, and Chef lays down some of his most effortless-sounding verses yet, with perfect flow and tasteful wordplay. ”Cranberry Octave” is an awesome reminder of how DIY rap can rival and surpass the work of artists with lots of resources. Keep an eye on Ghost Row in the future because if they keep putting together tracks this great people are bound to take notice.
Its been a while since Color Plus released his last EP, Cerulean Dream, and since then he has been up to a number of different things, releasing two EP’s with Chef the Chef under the name Ghost Row. For most of the songs for Ghost Row, Color Plus toned down the thick ambience and airy nature of his solo music, but now on Key Lime, it is back in full force. His production style is just as distinctive as ever, stretching out vocal samples in a number of different ways to form gorgeous backdrops with extremely well produced drums over them. Although Color Plus’ choice in drum sounds can often draw many connections to trap music, his production style as a whole completely transcends the genre in an extremely impressive way that I can’t think of many producers who are capable of. Stream one of my favorite tracks off of the EP below, and the whole thing after the jump.
It’s no secret that Madvillainy is one of the most highly regarded releases in abstract and underground hip-hop and something that has left an incredible mark on the face of hip-hop today. On that perfect album, my favorite track has always been “Fancy Clown” so I was honestly skeptical when I saw that Ghost Row spitter Chef the Chef was taking on the beat. I’m happy that I can say that Chef handles the beat exactly how he should, with reverence for the original and a lightheartedness to let listeners know that he isn’t trying to challenge MF DOOM’s (as Viktor Vauhgn) original verse either. Listen, donate, spread the word.